After trying the Oracle RPG adventure generator and finding it a bit sparse, I had more luck with Fictive Fantasies version (link to pdf).
Working through the elements in the adventure generator we get:
Quest contact - rumour overheard
Quest - prevent something - interfere, only you can stop
Something = capture/kidnap someone
Location - island: In the seas they appear randomly and many have never been properly cataloged. Undiscovered islands yield many unknown threats and unexpected surprises.
Victim - Royalty
Mcguffin - Secret: Something hidden, which somebody wants to keep hidden. Kingdoms and royalty have plenty of secrets they want nobody to find out about, and people are always willing to pay for those secrets.
Opposition: Guild or Horde: A group of people with one common belief or oath of brotherhood. Their numbers are great and their intimidation mighty.
Twist - Dodgy ally
Dramatic conflict - Truth: Ultimately the players will have to suppress some great truth, or find a way to tell everyone about some great lie. Either way they’re on the side of deception.
Good stuff to work with from OFTHEHILLPEOPLE - a few more random elements and it all feels slightly more defined and targeted for some reason.
From random rolls to adventure draft
17 June 2024
Shiny TTRPG links #177
A more typical number of links fresh from the internet. For yet more links, see the previous list found here or you can check the RPG Blog Carnival or on Third Kingdom Games news roundup. Originally inspired by weaver.skepti.ch End of Week links.
Welcome to the Deathtrap gives us Making Best Use of Downtime
u/SprocketSaga wrote Use the "Improvisation Tax" rule of thumb for unexpected PC actions
sachagoat continues Re-inventing the Wilderness: Part 6 - Landmarks
Tales of the Lunar Lands gives us Legojam: Cedric the Bull and the Canton of Ochsebad
Trollsmyth writes Grimdark vs. Eucatastrophe
A Knight at the Opera compiles EVERY Initiative Method??
Welcome to the Deathtrap gives us Making Best Use of Downtime
u/SprocketSaga wrote Use the "Improvisation Tax" rule of thumb for unexpected PC actions
sachagoat continues Re-inventing the Wilderness: Part 6 - Landmarks
Tales of the Lunar Lands gives us Legojam: Cedric the Bull and the Canton of Ochsebad
Trollsmyth writes Grimdark vs. Eucatastrophe
A Knight at the Opera compiles EVERY Initiative Method??
15 June 2024
Actual Test: Oldskull Adventure Generator
tl;dr: a great big adventure generator that gives you enough for even wild player side-tracks.
This came into my hands through a bundle of tons of Oldskull stuff from Kent David Kelly. They sure are prolific, full marks for that - 30 odd files came in the bundle and it was just a selection. I found myself running out of published adventures for my Friday night Brancalonia one-shots so I thought I would take the Adventure Generator for a spin and see if it served.
First, this thing is a beast - 702 pages - and a self-declared 'mega-supplement' to serve as the 'Rosetta stone of the Castle Oldskull system' - a 'massive unified imagination engine' with a workflow of 16 steps spread over 10 chapters. There is a fair bit of background and philosophy of adventure creation in there but I focused on just generating adventure seeds for now.
This 'imagination engine' comprises many, many random tables within a 16 step workflow:
[1] Adventure Title Creation
[2] The Framing Event
[3] The Benefactor
[4] The Promised Reward
[5] The Adventure Journey
[6] The Adventure Destination
[7] The Chaotic Descriptor Tool
[8] The Quest Designer
[9] The Secondary Quest Designer
[10] The Complication Generator
[11] The Ally Creator
[12] Tasks Before Departure
[13] The Abstract Weather Tool
[14] The Villain Generator
[15] The Unexpected Adversary Tool
[16] The Monster Selection Tool
The first block of steps are pretty quick - varying between d1000 and d100 you roll up the adventure title for inspiration then the situation, person providing the hook and the reward for getting involved. Nice and neat. I cam up with 'Tomb of the Screaming Skull' as our title where the Elder Sign is our inciting vent, the benefactor is a Reborn Marchioness (a famed one) and the prize at the end is an illusionist henchman. Interesting! I can work with this, let us proceed.
The next block of things addresses the journey required to resolve things - we roll up that our overall environment is Temperate Forest, that the destination itself comprises echo chambers and wind tunnels and then things get a bit more complex. We roll up a number of locations cross referencing the Temperate Forest table then a number of 'descriptors' on the Chaotic Descriptor Table to get a spin on each of these locations. These should all then be dropped into a 3x3 grid around the target. I ended up with about an equal three way split between Redwoods, other 'normal' forests and 'weird' forests.
After this I got a quest of 'poison a [person/critter/faction] at [place]' and some further rolls got me a fighter in a corrupted forest - a location that fit well. The fighter was qualified as a 'battler/skull-crusher' which was a really helpful little detail to make them pop.
The Secondary Quest designer was another four rolls getting me a 'compete in a tournament/game of honor', 'repair a bridge/door', 'decipher an inscription' and 'find a hidden locale/dungeon level'. I patched these into the locations where they seemed to fit - bridge repair at the 'Terrifying Brushwood Fall', tournament at the 'thundering copse'.
The Complication Generator gave me three more twists - abduction of a PC, fog getting people lost and a race against time. Given this was for a one shot I was hesitant to further complicate the session with these but held the fog in reserve as something to do if things were moving too rapidly.
Next the Ally Creator turned out to be some Lower level Illustionists - which harmonised nicely with the illusionist henchman reward - perhaps they came along on the quest too?
Next Tasks Before Departure gave me five elements - waiting for an astral event, listening to a survivors account, researching the locale, researching the journey and acquiring a sidequest to slay a monster. This was another element I was wary off given the one-shot nature of the session I was planning - however it turned out to be really handy because when the table derailed and struck out for the distant horizons of side-tangents. All these secondary activities provided ample landing zone for all sorts of shenanigans to reconnect back to the main adventure.
The Abstract Weather Tool came up with a nice 'clear, wind in their favour' which was a minor boon. Other weather conditions could definitely change the tone and it is often something I forget to properly bring into play on my own.
The Villain Generator rolled up a Thief, Lock-breaker, motivated by vengeance for a slain sibling, suffering from memory gaps and fond of working through blights and plagues. This came a little late in the process for me - I already had a decent view of what was going on with the skull-crusher fighter in his forest lair needing to get poisoned - so this villain became more of a background villain not an active player. It was good to have them though, as knowing them and thus the flavour of their minions became handy during the Great Derailing.
The Unexpected Adversary rolled up a 'Benefactors Envious Disciple' - obviously another illusionist which plugged in nicely to what we had already.
Finally the Monster Selection Tool got me some Goblins and Beastmen so I split them up into a relatively hapless bunch of goblin foresters working the Redwoods, territorial beastmen in the rest of the forests. A bunch of the location qualifiers from the Chaotic Descriptor tool implied the presence of celestials so I added them as a third group.
Once all this was rolled up I shoved the pieces around a bit and re-wrote it into
* A renowned bard, the Marchioness - killed by Skullcrusher, now reborn
* They want you to go to a corrupted forest and poison the screaming skull with holy water
* They have a troupe of illusionists who can support you now, and one might stay with you after as a reward
* Skullcrusher lairs in echoing wind tunnels, trust nothing you hear there
* Skullcrusher is the primary minion of the Gatebreaker - a deranged thief, driven mad by grief for their slain sibling, now they spread blights in vengeance and kill by breaking in with plague-ridden knives
* One of the Marchioness disciples, an illusionist, is envious the party has been sought for assistance and seeks to see them fail
* The woods are full of goblins and beastmen
Lots of the elements of preparation for the journey and secondary quests were initially set aside and only came into play when the party set off for the horizons. The whole illusionist ally and then potential rival thing never came off because the players left them at home when they set out on the quest. The Gatebreaker was never seen but his minion network was stumbled over then sought out and I was able to ad-lib them effectively knowing who they were working for.
All told, what initially seemed like way too much stuff with multiple independent threads actually turned out to be handy at an open table session where they took an age before engaging with the wilderness part of the journey. A chunky system to work through but gives you a wealth of stuff - even if not all of it will come into play, it was good to have it to hand.
This came into my hands through a bundle of tons of Oldskull stuff from Kent David Kelly. They sure are prolific, full marks for that - 30 odd files came in the bundle and it was just a selection. I found myself running out of published adventures for my Friday night Brancalonia one-shots so I thought I would take the Adventure Generator for a spin and see if it served.
First, this thing is a beast - 702 pages - and a self-declared 'mega-supplement' to serve as the 'Rosetta stone of the Castle Oldskull system' - a 'massive unified imagination engine' with a workflow of 16 steps spread over 10 chapters. There is a fair bit of background and philosophy of adventure creation in there but I focused on just generating adventure seeds for now.
This 'imagination engine' comprises many, many random tables within a 16 step workflow:
[1] Adventure Title Creation
[2] The Framing Event
[3] The Benefactor
[4] The Promised Reward
[5] The Adventure Journey
[6] The Adventure Destination
[7] The Chaotic Descriptor Tool
[8] The Quest Designer
[9] The Secondary Quest Designer
[10] The Complication Generator
[11] The Ally Creator
[12] Tasks Before Departure
[13] The Abstract Weather Tool
[14] The Villain Generator
[15] The Unexpected Adversary Tool
[16] The Monster Selection Tool
The first block of steps are pretty quick - varying between d1000 and d100 you roll up the adventure title for inspiration then the situation, person providing the hook and the reward for getting involved. Nice and neat. I cam up with 'Tomb of the Screaming Skull' as our title where the Elder Sign is our inciting vent, the benefactor is a Reborn Marchioness (a famed one) and the prize at the end is an illusionist henchman. Interesting! I can work with this, let us proceed.
The next block of things addresses the journey required to resolve things - we roll up that our overall environment is Temperate Forest, that the destination itself comprises echo chambers and wind tunnels and then things get a bit more complex. We roll up a number of locations cross referencing the Temperate Forest table then a number of 'descriptors' on the Chaotic Descriptor Table to get a spin on each of these locations. These should all then be dropped into a 3x3 grid around the target. I ended up with about an equal three way split between Redwoods, other 'normal' forests and 'weird' forests.
After this I got a quest of 'poison a [person/critter/faction] at [place]' and some further rolls got me a fighter in a corrupted forest - a location that fit well. The fighter was qualified as a 'battler/skull-crusher' which was a really helpful little detail to make them pop.
The Secondary Quest designer was another four rolls getting me a 'compete in a tournament/game of honor', 'repair a bridge/door', 'decipher an inscription' and 'find a hidden locale/dungeon level'. I patched these into the locations where they seemed to fit - bridge repair at the 'Terrifying Brushwood Fall', tournament at the 'thundering copse'.
The Complication Generator gave me three more twists - abduction of a PC, fog getting people lost and a race against time. Given this was for a one shot I was hesitant to further complicate the session with these but held the fog in reserve as something to do if things were moving too rapidly.
Next the Ally Creator turned out to be some Lower level Illustionists - which harmonised nicely with the illusionist henchman reward - perhaps they came along on the quest too?
Next Tasks Before Departure gave me five elements - waiting for an astral event, listening to a survivors account, researching the locale, researching the journey and acquiring a sidequest to slay a monster. This was another element I was wary off given the one-shot nature of the session I was planning - however it turned out to be really handy because when the table derailed and struck out for the distant horizons of side-tangents. All these secondary activities provided ample landing zone for all sorts of shenanigans to reconnect back to the main adventure.
The Abstract Weather Tool came up with a nice 'clear, wind in their favour' which was a minor boon. Other weather conditions could definitely change the tone and it is often something I forget to properly bring into play on my own.
The Villain Generator rolled up a Thief, Lock-breaker, motivated by vengeance for a slain sibling, suffering from memory gaps and fond of working through blights and plagues. This came a little late in the process for me - I already had a decent view of what was going on with the skull-crusher fighter in his forest lair needing to get poisoned - so this villain became more of a background villain not an active player. It was good to have them though, as knowing them and thus the flavour of their minions became handy during the Great Derailing.
The Unexpected Adversary rolled up a 'Benefactors Envious Disciple' - obviously another illusionist which plugged in nicely to what we had already.
Finally the Monster Selection Tool got me some Goblins and Beastmen so I split them up into a relatively hapless bunch of goblin foresters working the Redwoods, territorial beastmen in the rest of the forests. A bunch of the location qualifiers from the Chaotic Descriptor tool implied the presence of celestials so I added them as a third group.
Once all this was rolled up I shoved the pieces around a bit and re-wrote it into
* A renowned bard, the Marchioness - killed by Skullcrusher, now reborn
* They want you to go to a corrupted forest and poison the screaming skull with holy water
* They have a troupe of illusionists who can support you now, and one might stay with you after as a reward
* Skullcrusher lairs in echoing wind tunnels, trust nothing you hear there
* Skullcrusher is the primary minion of the Gatebreaker - a deranged thief, driven mad by grief for their slain sibling, now they spread blights in vengeance and kill by breaking in with plague-ridden knives
* One of the Marchioness disciples, an illusionist, is envious the party has been sought for assistance and seeks to see them fail
* The woods are full of goblins and beastmen
Lots of the elements of preparation for the journey and secondary quests were initially set aside and only came into play when the party set off for the horizons. The whole illusionist ally and then potential rival thing never came off because the players left them at home when they set out on the quest. The Gatebreaker was never seen but his minion network was stumbled over then sought out and I was able to ad-lib them effectively knowing who they were working for.
All told, what initially seemed like way too much stuff with multiple independent threads actually turned out to be handy at an open table session where they took an age before engaging with the wilderness part of the journey. A chunky system to work through but gives you a wealth of stuff - even if not all of it will come into play, it was good to have it to hand.
12 June 2024
Post-dragon attack regional ecology (RPG Blog Carnival)
For this months RPG Blog Carnival because the prompt 'after the dragon' from Sea of Stars is a great prompt with tons inside it. I was sure this was covered by an old Malhavoc press book but no - I was thinking of Requiem for a God which is not quite the same thing.
What we have below is probably best for terrain set up early in a campaign or when venturing into a new location because this stuff is slower and should probably be baked into the terrain players encounter. You could use this as an encounter generator for an immediate dragon attack or as some spillover from an attack last year but I think it might be best done as time-layers and then encountered from outside in by journeying PCs.
Stealing three of the five steps from the disaster management cycle we have:
1. Impact
2. Immediate aftermath
3. Post-disaster change
What we have below is probably best for terrain set up early in a campaign or when venturing into a new location because this stuff is slower and should probably be baked into the terrain players encounter. You could use this as an encounter generator for an immediate dragon attack or as some spillover from an attack last year but I think it might be best done as time-layers and then encountered from outside in by journeying PCs.
Stealing three of the five steps from the disaster management cycle we have:
1. Impact
2. Immediate aftermath
3. Post-disaster change
10 June 2024
Shiny TTRPG links #176
A giant block of links with a significant archive dive this week. For yet more links, see the previous list found here or you can check the RPG Blog Carnival or on Third Kingdom Games news roundup. Originally inspired by weaver.skepti.ch End of Week links.
Mazirian's Garden gives us Group Downtime Activities: Remembering the Dead
Mindstorm gives us A Person-Shaped Hole
I Cast Light! wrote DUNGEON WEATHER: For your overloaded encounter die
Provinto RPG gives us 10-Room Dungeon Brainstorm: Tomb of the Honorable Order of Glory (& Possibly Justice)
The Blue Bard writes Down Come the Claws
Half Again as Much starts with What is an Elemental Plane, Anyway?
Mazirian's Garden gives us Group Downtime Activities: Remembering the Dead
Mindstorm gives us A Person-Shaped Hole
I Cast Light! wrote DUNGEON WEATHER: For your overloaded encounter die
Provinto RPG gives us 10-Room Dungeon Brainstorm: Tomb of the Honorable Order of Glory (& Possibly Justice)
The Blue Bard writes Down Come the Claws
Half Again as Much starts with What is an Elemental Plane, Anyway?
08 June 2024
Tribute to Collaborative Dungeon Creation
tl;dr: trying to recall a genius blogpost on collaborative dungeon creation as 'forces of nature'
This is an attempt to replicate a genius blogpost I found years ago and has eluded me since. Hopefully the original author will rock up and go 'hey, thats my idea' so I can finally link it.In the absence, let me tell you a tale of a genius idea, gather round the campfire comrades... The inestimable DIY & Dragons questioned if it might be Tom Dowlers "How to Host A Dungeon" - and from that tip I found the post I was thinking off - Dyson Logos doing a test of How to Host a Dungeon. So I am actually mis-remembering this as a multi-player experience which perhaps could be another way to do it. Anyway, all that follows was written before I found this out, please view it in that light.
Fado, fado, there was an idea that if you were a DM with access to multiple pools of players, you could use some of them to set situations that would then serve as challenges for others.
The original post addressed dungeons but in the hope of appeasing Joesky's ghost I am going to generalise it a bit to make it a tool for any setting.
So breaking that down into a procedure:
1. Kick it off by picking a base location type - a temple, dungeon, cavern, etc. Sketch out some part of that to get things started.
2. Everyone around the table then chooses to act as a force that has altered the space over time - dwarven miners, burrowing dragons, lava flows, a wizard (there is always a wizard).
3. Go around the table adding to or modifying the base location in a way that matches thematically to that force.
4. Repeat #3 until you have a sufficiently large or interesting location
This is an attempt to replicate a genius blogpost I found years ago and has eluded me since. Hopefully the original author will rock up and go 'hey, thats my idea' so I can finally link it.
Fado, fado, there was an idea that if you were a DM with access to multiple pools of players, you could use some of them to set situations that would then serve as challenges for others.
The original post addressed dungeons but in the hope of appeasing Joesky's ghost I am going to generalise it a bit to make it a tool for any setting.
So breaking that down into a procedure:
1. Kick it off by picking a base location type - a temple, dungeon, cavern, etc. Sketch out some part of that to get things started.
2. Everyone around the table then chooses to act as a force that has altered the space over time - dwarven miners, burrowing dragons, lava flows, a wizard (there is always a wizard).
3. Go around the table adding to or modifying the base location in a way that matches thematically to that force.
4. Repeat #3 until you have a sufficiently large or interesting location
05 June 2024
Review: Where Evil Lives
tl;dr: MCDM action-oriented monsters in their lairs - 22 lairs with neat set-piece battles for a range from level 2 to 20.
"Where Evil Lives: The MCDM book of boss battles" - does what it says on the tin. I got this because I went in on the Flee, Mortals! kickstarter and they succeeded so hard the project blew out to create another book. So I more or less got this at cost of postage only - and despite that being ridiculous rates to Europe, at that point as per Shakespeare "I am in blood/ Stepped in so far that, should I wade no more, / Returning were as tedious as go o’er." So this one landed with next to no expectations on my side and from looking at Flee, Mortals! this is cool stuff but not the style I am taking to my fluffier tables just now. Seeing that it is being sold on D&D Beyond I thought it might be good to take a second look and get it reviewed.
"Where Evil Lives: The MCDM book of boss battles" - does what it says on the tin. I got this because I went in on the Flee, Mortals! kickstarter and they succeeded so hard the project blew out to create another book. So I more or less got this at cost of postage only - and despite that being ridiculous rates to Europe, at that point as per Shakespeare "I am in blood/ Stepped in so far that, should I wade no more, / Returning were as tedious as go o’er." So this one landed with next to no expectations on my side and from looking at Flee, Mortals! this is cool stuff but not the style I am taking to my fluffier tables just now. Seeing that it is being sold on D&D Beyond I thought it might be good to take a second look and get it reviewed.
Cover art by Grace Cheung
First impression - as with Flee, Mortals! very glossy and impressive, a chunky book with nice binding. The first of the MCDM books to forgo the dust-jacket and become more like the usual 5e format. The art is, as ever gorgeous - but somewhat familiar in that there is a fair amount of duplication between this and Flee, Mortals! This makes the book either usefully standalone or annoyingly duplicative, depending on how you get to it. I will assume you do not have Flee, Mortals! for the purposes of the rest of this. The art itself is very nice and we have the interesting choice to completely abandon descriptions of monsters in favour of the illustrations - with lesser art this might be an issue but the work in here is just great for that.03 June 2024
Shiny TTRPG links #175
An interesting week for tools of gaming. For yet more links, see the previous list found here or you can check the RPG Blog Carnival or on Third Kingdom Games news roundup. Originally inspired by weaver.skepti.ch End of Week links.
The Last Throw gives us Crow's Random Events Table
DIY & dragons shares Helpful Links for the LEGO RPG Jam
drcuriousvii gives us Summer Lego RPG Setting(?) Jam Entry: The Monster (Pod) Manual
Grumpy Wizard shares Writing A Game Master’s Statement
Goblin Punch gives us Deconstructing Random Encounters (+ Spirits of the Underworld)
B/X BLACKRAZOR shares Illusionary Post
Coins and Scrolls gives us OSR: A Material Component Magic System
Anna B Meyer writes MeyerHawk - Magic Travel
The Last Throw gives us Crow's Random Events Table
DIY & dragons shares Helpful Links for the LEGO RPG Jam
drcuriousvii gives us Summer Lego RPG Setting(?) Jam Entry: The Monster (Pod) Manual
Grumpy Wizard shares Writing A Game Master’s Statement
Goblin Punch gives us Deconstructing Random Encounters (+ Spirits of the Underworld)
B/X BLACKRAZOR shares Illusionary Post
Coins and Scrolls gives us OSR: A Material Component Magic System
Anna B Meyer writes MeyerHawk - Magic Travel
01 June 2024
OSR Kickstarter Trends
Ben Milton of Questing Beast did some neat work tagging kickstarter projects as OSR or not and played out some of the trends over time - see video. He generously shared his data - [edit: building upon the original dataset by Hans Messersmith] and I wanted to dig through and see what else we can see.
From the data-sheet - classification was done by:
Original = Adventures/supplements/etc. explicity for old forms of D&D; New games that are direct or near directly clones of D&D (e.g. OSE, OSRIC); adventures, supplements for those direct clones
Scene = new games considered to be part of the "OSR scene"; new games inspired by older forms of D&D; adventures/supplements/etc for those games
If a project is listed with multiple systems/games, it will be categorized as Original if at least one of the systems is Original, otherwise Scene
Reprints of actual older D&D products (e.g. the recent reprint of Caverns of Thracia by Goodman Games) are included in Original
Includes projects that started between January 1, 2014 and December 31, 2023, inclusive. Therefore, some projects that started late in 2023 and ended in 2024 are included.
Listed year is the year the project started, not ended
Sticking on my analyst hat we can pull out some interesting trends. First, to recap what was shown in Questing Beasts video and give ourselves a baseline, we see an overall increase in projects for every category.
I did some work to extract the median and top quartile values of project per category to get a sense of what most projects are doing, conscious that the very large projects at the high end skew things significantly otherwise. These are in tables at the bottom of this post. We have seen the median value of project jump about but broadly converge towards the lower end of the $5k-10k bracket.
This I found somewhat surprising - I would have thought that 5e or 'other' categories, representing broader pools of players, would be higher.
From the data-sheet - classification was done by:
Original = Adventures/supplements/etc. explicity for old forms of D&D; New games that are direct or near directly clones of D&D (e.g. OSE, OSRIC); adventures, supplements for those direct clones
Scene = new games considered to be part of the "OSR scene"; new games inspired by older forms of D&D; adventures/supplements/etc for those games
If a project is listed with multiple systems/games, it will be categorized as Original if at least one of the systems is Original, otherwise Scene
Reprints of actual older D&D products (e.g. the recent reprint of Caverns of Thracia by Goodman Games) are included in Original
Includes projects that started between January 1, 2014 and December 31, 2023, inclusive. Therefore, some projects that started late in 2023 and ended in 2024 are included.
Listed year is the year the project started, not ended
Sticking on my analyst hat we can pull out some interesting trends. First, to recap what was shown in Questing Beasts video and give ourselves a baseline, we see an overall increase in projects for every category.
I did some work to extract the median and top quartile values of project per category to get a sense of what most projects are doing, conscious that the very large projects at the high end skew things significantly otherwise. These are in tables at the bottom of this post. We have seen the median value of project jump about but broadly converge towards the lower end of the $5k-10k bracket.
Subscribe to:
Posts (Atom)